@uthmanedits: ألا لا تلوماني Lyrics and Translation #islamicsong #fypsong #شعر #شعراء

🪼Nasally68🪼 :

This song really hits my soul l really love it buh can’t sing

yammusaa1 :

The story behind this poem, it's all about a defeated warrior who had been a chief, a commander, a respected warrior, a man accustomed to commanding others and a horseman who had fought in battles. At the moment he sang the poem, he was captured, restrained, awaiting execution, separated from his people and unable to return home. His captors even tied his tongue with a leather strap because they feared that he would use his famous poetic ability to insult and ridicule them. They weren't merely afraid of his sword, they were afraid of his tongue because his poetry was powerful enough to damage their honour. When Abd Yaghuth realized that his death was unavoidable, he asked that his tongue be released so that he could speak and he apparently promised not to use his speech merely to abuse his captors. So they released him and instead of giving them an ordinary plea for mercy, he composed what became one of the most famous examples of “self-elegy” (رثاء النفس) He was writing/singing his own elegy while he was still alive and awaiting death. In one sentence, be is a defeated warrior-chief, captured in battle and condemned to death, used his final moments to say farewell to his friends, remember the man he once was, lament the loss of his freedom and honour, and compose an extraordinary poetic farewell to his own life. That is why the opening “ألا لا تلوماني” — “Do not blame me” carries much more weight than it appears to at first glance.

abeer baswaid :

This poem is by the Yemeni poet Abd Yaghuth al-Harithi (of the Madhhij tribe). After he was taken prisoner, an enemy woman saw him in chains and laughed at him; in response, he recited this magnificent poem.

Othman Zardoua :

my name is othman, may allah reward you all amien🤍

janzsoonvanhaarlem :

Ce poème évoque un chef nommé Abd Yaghuth, issu du clan des Harith. Abd Yaghuth mena son peuple au combat contre la tribu des Banu Tamim. Ses troupes furent finalement vaincues et il fut capturé par l'ennemi. En raison des combats et de la mort d'un personnage important du camp adverse, ses ravisseurs décidèrent de le mettre à mort. Sachant sa fin proche, Abd Yaghuth composa « Ala La Talumani » — non pas pour célébrer une victoire, mais comme un adieu et une lamentation sur son propre sort. Il évoqua ses compagnons, sa terre natale, sa vigueur passée de guerrier et la vie qu'il s'apprêtait à perdre. Selon les récits traditionnels, il choisit finalement une mort digne ; il fut exécuté par section de la veine *akhal*, ce qui entraîna sa mort par hémorragie. Le poème devint ainsi l'un des exemples les plus célèbres d'auto-élégie (*rithāʾ al-nafs*) dans la poésie arabe préislamique. Les sources traditionnelles situent sa mort aux alentours de 584 apr. J.-C. Ce qui rend ce récit si poignant, c'est le contraste entre son statut de chef et de guerrier ayant consacré sa vie à protéger les siens, et ses derniers mots, prononcés alors qu'il était prisonnier, face à une mort inéluctable. C'est pourquoi l'ouverture du poème — « Ala la talumani… » — revêt une charge émotionnelle et douloureuse si particulière : il signifie en substance qu'il est désormais inutile de le blâmer ou de lui faire des reproches, car il souffre déjà suffisamment.

ً :

مين لحنه

Bin_Umar Digital service🛰️🛜 :

I read the story behind this poem, it's all about a defeated warrior who had been a chief, a commander, a respected warrior, a man accustomed to commanding others and a horseman who had fought in battles. At the moment he sang the poem, he was captured, restrained, awaiting execution, separated from his people and unable to return home. His captors even tied his tongue with a leather strap because they feared that he would use his famous poetic ability to insult and ridicule them. They weren't merely afraid of his sword, they were afraid of his tongue because his poetry was powerful enough to damage their honour. When Abd Yaghuth realized that his death was unavoidable, he asked that his tongue be released so that he could speak and he apparently promised not to use his speech merely to abuse his captors. So they released him and instead of giving them an ordinary plea for mercy, he composed what became one of the most famous examples of “self-elegy” (رثاء النفس) He was writing/singing his own elegy while he was still alive and awaiting death. In one sentence, be is a defeated warrior-chief, captured in battle and condemned to death, used his final moments to say farewell to his friends, remember the man he once was, lament the loss of his freedom and honour, and compose an extraordinary poetic farewell to his own life. That is why the opening “ألا لا تلوماني” — “Do not blame me” carries much more weight than it appears to at first glance.

aelo :

c'est son poème pré islamique

Murat Murat42531 :

Salif toure Touré :

En français

ishak ishak :

روعة روعة [Implorant][Implorant][Implorant][Implorant]

MoCro :

ۆصٍيَہ آلُرسۆلُ🥀🦋 :

محتاره اعملها نغمه ولا لا؟!..

Utothiii 🧠 :

Adepoju Bushroh :

saw

عبد الباسط :

😓

al3nze501🇰🇼🇸🇦 :

D I G :

SAW

myriam12k :

Sws🤍💤

𝒜𝓃𝒻𝑒𝓁🪸 :

🤍🕊

🤲🌿(🎀شاهجادي الإسلام🎀)🌿🤲 :

মাশাআল্লাহ

فوز 💗 :

🌸أم الهريرة🌸 :

Lamia :

روعة👌👌👌👌

Maryam Suleiman :

❤️❤️❤️